Prof ur treatise is well received and well researched. i am sure that this must have taken a lot of work to churn out but sadly it still reeks with the ignorance of my position in this sector and on this group.
I have never contested the history or the rich pedigree of ‘your sector’ but have always stated and very clearly the need to accept the new paradigm Bolanle and I represent which is the need to structure business around it.
All the remarkabke achievements you have labelled were all made possible by business and business minds and i am sure you would not have stepped into France without Air France understanding the structure and benefits monetary and otherwise to them.
Advocating legislature is to take the industry back to the old Village Headmaster days when massively takented actors were paid N100 per episode to perform
It also shows ur lack of understanding the economic paradigm of the Government in which u serve. The Government is pushing for less involvement and making laws that enables private sector participation and here u are trying to shield your sector with entry barriers.
I dont need to have a degree in theatre to produce just as i can own a hospital without bieng a medical professional . U can put ur entry barrier with the guilds within ur sector. So i cannot direct a play if i don’t have requisite qualifications nor can i be a set designer and while u are at it tell Davido and tge rest to get a music degree bf releasing an album or RMD to akso get an MSC in drama bf making our women swoon on screen. That to me is backward, it would still not serve ur purpose
As a Produxer, you have described my role very clinically and i thank you but were we differ is the supremacy on both sides.
Granted its a partnership but in a deadlock who superceedes. Yes me and u have fought severally where u want to increase cast size and i say no money and we go back and forth in search of a middle ground.
Like i alwsy tell u, Prof if u put 60 pple in d market scene and i cant find money to pay them nko?
Prof Yerima does phenomenal olays for me with 4 people and i cant cut cast size by just 4 out of 40 when a sponsor pulls out?
In Zik i owed N12m two Months after. I knw the abuse i got from ur pple and im sure its some of those abuse Mufu alludes to. Luckily yhe director Ikuku was more amenable and was patient until i paid everybody.
The bulk stops at my tabke and dts why i am aggressive cos nobody shares it with me. Today, i owe FIRS N19m in back end tax cos no actor or director would allow me deduct withholding tax from their fees. I take the heat and u exoect me to now come and allow u run my budget anyhow u want cos u are a theatre practitioner?
In budgeting Awo-UK, i say to lukman the producer, let’s hold at £80,000 and we hit £90,000 thats over N150m and then Makinde says ohhh i need to bring 13 from Lagos cos they understand the Play
Makes a lot of sense, but that throws in another N25m into the budget. At that point who takes precedence .. Me or makinde and me and makinde fight. We must fight. Real fight and at the end we hug and go and bath
So my dear prof, ur sector must come down from its high horse and enbrace change the way Nollywood has so dt it can grow phenomenally, so that opportunities can emerge and so that your members can find fulfilment
I am not the enemy infact i am the messiah and Bolanle is my forerunner . That is why i say that she is the mother of modern day theatre and i am her son.
Nb prof get ready the fight for Ekiti International Theatre Festival go hot, get ready o. Na N200m and not one kobo go pass am.
I don tell ur Governor last two nigts when he call me and he laugh. So ready
Seriousky, i think its time we sat down in a session to talk physically. Im ready, we need to better understand each otger so tgat we can grow. I am ready to host anytine and anyehere.. Lets talk.